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Now, had lots of visceral fun on this one – caught up in an endless car-crash, during a three month stint with the gaming company, Neonplay.
‘Traffic Panic 3D’, an action puzzler smash-em up, was released as a follow-up to the popular maiden title – a more two-dimensional affair, but a palpable hit in its own right. The game was designed for iPhone, iPad and Android release.
The game involved gaining points for spectacular crashes, or else trying to wheel-spin out of trouble altogether. A simple green/red traffic light tap mechanism aided the instantly addictive nature of the game.
Being a ‘freemium’ game, there’s the added option to purchase further vehicles or juicily combustible buildings and items like a Fireworks showroom and wrecking ball.
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I’d challenge anyone not to get drawn into the simple thrill of this Appstore hit – effectively the mobile equivalent of smashing cars together on the kitchen floor. Unsurprisingly my 4 year old son is very taken with playing both versions.
This fun trailer gets the message across well – it was created to promote the release of the game with in-game footage set to ‘The Blue Danube’…
I worked as producer on the delivery of the game to ensure the chaos could ensue in an orderly fashion through to final launch.
Since release ‘Traffic Panic 3D’ has clocked up some 9 million downloads and has become one of Neonplay’s biggest franchise hits, spawning ‘Traffic Panic London’ and the related smash-up ‘Carpark Carnage’.
‘FightBox’ was a cross-platform TV show I exec-produced broadcast on BBC2 and BBC3 and part funded by BBC Worldwide. It was a creative collaboration with TV production company, Ricochet (now part of the Shed Group).
‘FightBox’ was an original idea, which combined PC gaming, Internet, TV and Augmented Reality.
Using a trailer broadcast some months ahead of the recording, viewers were encouraged to go onto the BBC FightBox website and download their ‘FightKit.
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Once downloaded, a player could construct a virtual warrior and take it into a series of combat training exercises to generate a score which they could upload back to the BBC.
The top 100 players would then qualify for the TV Finals across 20 shows, within a specially constructed FightBox arena at BBC Centre, filmed in front of a live studio audience. The players would compete against each other in a number of contests while also fending off the Sentients, a group of ‘Gladiators’ style super warriors.
The eventual winner of the tournament would then have the honour of their warrior joining the order of the Sentients.
BBC Worldwide invested in the show format, producing the games engine which would then form the basis for commercial products – the PC, PS2 and Nintendo DS games.
Working closely with my co-exec, Nick Southgate at Ricochet, I oversaw the concept and product development, characters and technology from early drawings through to the final recorded shows and then finally into the edit room.
FightBox was broadcast on BBC2 and later on BBC3.
Given the initial desktop downloads for Pat the Cat and his other phonic friends were released well ahead of the iOS revolution, it was with some due creative satisfaction to finally produce Pat as an app.
With ‘Pat the Cat’ on iPad and iPhone I also wanted to add some unique features made possible by the transition to the iOS platform.
Children can now literally get to grips with the friendly fat cat while they learn the basics of the ‘a’ vowel sound. Now young users can press chunky controls to stop/start or refresh a page; stroke Pat to hear him purr; tap a caterpillar to make them laugh, or even tickle Pat’s feet to make him chortle.
My favourite added feature was the ability for children to record their own voices – so that they may repeat the sentences, and the large vowel and then on tapping these elements hear their voice played back to them. Parental guidance would be required, although I ensured we kept the ‘listen’, ‘say’, and ‘play’ sequence as simple as possible.
The app was awarded a ‘Kirkus Star’ by notable review site Kirkus Reviews, and featured in its top book apps for the year. Kirkus said:
‘Based on the picture book of the same name, this charming app is a flawless combination of music, sound effects, narration and interactive elements.
The experience isn’t merely entertainment, but an excellent tool to help emergent readers identify and practice the sounds and letters that make up words that rhyme with “at.” The star of this entertaining show is a very proper British cartoon cat, Pat, who wears a top hat and who, yes, is fat. “He’s even got fat feet!” says one of the endearing duo of caterpillars that move across the expansive white pages with satisfying clicks and bounce on top of each word as it is voiced. When Tat the Bat and Nat the Rat emerge from inside Pat the Cat’s top hat, more good-natured silliness ensues. The spot-on British narration and the droll, jazzy bass-line accompaniment round out this terrific app. There are a few well-chosen interactive features throughout, including a particularly helpful option for beginning readers to practice by easily recording and playing back their own voices. The only quibble one could possibly have here is with the humor at the expense of the overweight cat, but it is so good-natured (and such an obvious rhyme) that it can be overlooked.
This irresistible app gets everything right, proving that simplicity is sometimes best. (iPad storybook app. 2-7)’
Next in Pat’s evolution is being printed to iBooks very soon and hopefully Android at some point this year. Watch this space, Pat fans!
‘Pat the Cat’ is available for download on iTunes.
